Utopia Avenue might be the most curious British band you’ve never heard of. Emerging from London’s psychedelic scene in 1967, folksinger Elf Holloway, blues bassist Dean Moss, guitar virtuoso Jasper de Zoet and jazz drummer Griff Griffin together created a unique sound, with lyrics that captured their turbulent times. The band produced only two albums in two years, yet their musical legacy lives on. This is the story of Utopia Avenue’s brief, blazing journey from Soho clubs and draughty ballrooms to the promised land of America, just when the Summer of Love was receding into something much darker – a multi-faceted tale of dreams, drugs, love, sexuality, madness and grief; of stardom’s wobbly ladder and fame’s Faustian pact; and of the collision between youthful idealism and jaded reality as the Sixties drew to a close.
Olga is an orphan raised by her grandmother in a Prussian village around the turn of the 20th century. Smart and precocious, she fights against the prejudices of the time to find her place in a world that sees her as second-best.When she falls in love with Herbert, a local aristocrat obsessed with the era’s dreams of power, glory and greatness, her life is irremediably changed. Theirs is a love against all odds, entwined with the twisting paths of German history, leading us from the late 19th to the early 21st century, from Germany to Africa and the Arctic, from the Baltic Sea to the German south-west. This is the story of that love, of Olga’s devotion to a restless man – told in thought, letters and in a fateful moment of great rebellion.
When Margot goes in search of her birth mother for the first time, she meets her aunt, Nikki, instead. Margot learns that her mother, Susan, was a sex worker murdered soon after Margot’s adoption. To this day, Susan’s killer has never been found. Nikki asks Margot for help. She has received threatening and haunting letters from the murderer, for decades. She is determined to find him, but she can’t do it alone.
What does the foghorn sound like? It sounds huge. It rattles. It rattles you. It is a booming, lonely sound echoing into the vastness of the sea. When Jennifer Lucy Allan hears the foghorn’s colossal bellow for the first time, it marks the beginning of an obsession and a journey deep into the history of a sound that has carved out the identity and the landscape of coastlines around the world, from Scotland to San Francisco. Within its sound is a maritime history of shipwrecks and lighthouse keepers, the story and science of our industrial past, and urban myths relaying tales of foghorns in speaker stacks, blasting out for coastal raves. Here is an odyssey told through the people who battled the sea and the sound, who lived with it and loathed it, and one woman’s intrepid voyage through the howling loneliness of nature.
As Governor of Galicia, SS Brigadesf?hrer Otto Freiherr von W?chter presided over an authority on whose territory hundreds of thousands of Jews and Poles were killed. By the time the war ended in May 1945, he was indicted for ‘mass murder’. Hunted by the Soviets, the Americans and the British, as well as groups of Poles and Jews, W?chter went on the run. He spent three years hiding in the Austrian Alps before making his way to Rome and being taken in by the Vatican where he remained for three months. While preparing to travel to Argentina on the ‘ratline’ he died unexpectedly, in July 1949, a few days after having lunch with an ‘old comrade’ whom he suspected of having been recruited by the Americans. Here, Philippe Sands offers a unique account of the daily life of a Nazi fugitive, the love between W?chter and his wife Charlotte, who continued to write regularly to each other while he was on the run.
‘Permafrost’s’ lesbian narrator is an uninhibited lover, a no-hope employee, and a some-time suicidal student of her own dislocated self. As she tries to break out of the roles set for her by a controlling, overprotective mother, a relentlessly positive sister, and a society which imposes a gut-wrenching pressure to conform, she contemplates the so-called will to live when that life is given, rather than chosen. Attempting to bridge the gap between the perennially frozen reaches of her outer shell and the tender core of her being, watching her relationships with family fracture and her many lovers come and go, the protagonist’s reservations about staying alive become ever more pressing.